Tuesday, August 28, 2012

six songs - part 3: the song that takes you back

Q3: What song takes you back to your childhood.

My favorite musical memories from childhood are of times when I was sitting shotgun in my big sister's little red Mazda. No a/c, so she'd roll down the windows and end up getting a tan on her left arm from resting it on the door... and I'd get a lighter tan on my right arm from copying her whenever I was along for the ride. She used to take me to a park by an ice cream shop, where I remember reenacting those "BRAIN FREEEEEEZE!!!" Slurpee commercials and collapsing into giggles. Other times we'd go to the waterfront with a loaf of bread and feed ducks. She's 12 years older than me, and way more upbeat than I am, and I just thought she was sooo cool and fun.

Listening to Huey Lewis and the News is what I remember most of all. I think she had Hard at Play and Sports. If I had to pick one song that takes me back the most, it'd be "Heart and Soul".



Unlike my other favorite Huey Lewis songs, I haven't listened to it much since then, so it really helps jog my memory of what things were like at the time I was listening to it a lot. I doubt I ever saw the video as a kid, but I knew I wanted to grow up and be like the woman in that song. Or like the woman in Bonnie Raitt's "Nobody's Girl". Terrible, brainwashing children like that, haha. We're poisoned before we even begin.

I don't know why Huey Lewis has such a bad rap, though. Sure, the lyrics aren't the deepest... but that shit'll turn your frown upside down.

 goddammit, i don't even.

I remember, too, the songs my father sung around the house. I didn't know who Bob Dylan was, but sometimes my dad would get this far-off look in his eyes and sing:

Buckets of rain
Buckets of tears
Got all them buckets coming out of my ears
Buckets of moonbeams in my hand
You got all the love honey baby
I can stand.

He usually only ever sang the first stanza. And even if he was smiling, I'd know he wasn't happy at all.

Monday, August 27, 2012

to the north, east, south, west

I was looking for a different Weldon Kees poem and ran across this one.

---

TO THE NORTH

If I, like others in their burrowings,
Could find some acre of the past to praise,
There might be substitutes for noise and blurs:
The comforts of asylum, strict, assured,
That nourish when the light dies in the glass.
But the mind must crouch, suspicious, veer away,
And focus into idiot light the days
Of other whippings, exiles, sicknesses
Where the horror of history from cave
To camp to the coffins of yesterday
Burns to a single ash.
                                  Where is the grave
Of Time? What would you picture for decay?
A horse's hoof, white bones, a lifeless tree,
Cold hemispheres, dried moss, and a blue wave
Breaking at noon on shores you will not see.

---

So melancholic. It doesn't fit my mood right now. But one of the most fascinating aspects of human memory, for me, is how we remember best the moments that align with the state in which we currently find ourselves. When I was in it deep with PTSD, or whatever you want to call it, all I could remember were terrible things. I knew, rationally, that my life had not really been a plodding circus train consisting of car after connected car, all peeling paint and full of shit and straw and artifice and broken animals. But it was hard to see much more than that. Sometimes impossible.

I am remembering so many sweet, happy things nowadays. :-)

Oh, and if (like me) you were thinking "That guy totally bit it, didn't he?" ...yes, he apparently did. Disappeared near the Golden Gate at 41.

---

Because I am moving, my garden will be someone else's soon. I don't really care much about anything there that hasn't already been harvested. I don't even care if the new residents care for the plants and eat them, or just let it all rot on the vines; I am done with it all and ready to be out of here. This house is haunted to me and to him, because our lives over the past three years have been so unhappy here. Not desperately unhappy, most of the time. Just leaning subtly toward stagnation and ruin.

A couple months ago I thought I'd have to learn to grow in place here, even though it felt stifling and I wanted to run. I didn't like the idea of growing in place... for some reason it's so much easier to change yourself when your surroundings change, too. And it's just a stupid impulse, too, a wordless protective strategy on some level. Like fleeing. Not always the guaranteed best choice in the end, but still something you might sometimes do in the face of challenge because you've got to do something. I am, after all, still the girl who ran from death all the way to another country, where I got smacked in the face with an even bigger serving of it. But I was ready to subdue my instincts and make this place work for me. Or change me to fit this place. Then--happily--circumstances beyond my control swung unexpectedly in a favorable direction and there was a way out after all.

Here We Go Magic - Alone But Moving

I planted miner's lettuce (also called purslane) this spring because it charmed me to think of my douchebag great-great-whatever-grandfather, who left his wife and nine kids to go to the Gold Rush and there died after many years idling about and cavorting with whores and perhaps munching on wild purslane to prevent scurvy, as so many miners did.

(His last letter home, paraphrased: "Lucinda, I do not remember the name of our youngest boy. So, if you please, rename him Edward after me. And send me some money. XOXO")

Anyhow, that was my favorite plant this year. It tastes lemony.


I also planted ground cherries (not the hallucinogenic kind!). They're such a mystical looking little fruit. I guess that's why there are so many legends about them. Mine were a yellow and green edible variety native to the US, not the ornamental variety above... but I think the orange ones (also called Chinese lanterns) are better looking. Some legends say they are a fertility symbol, others that they are lamps to guide the deceased. Myself, I planted them in part because I had a strange dream about a strange girl hatching out of one. I don't believe in the spiritual aspects of it, but it's still a pretty symbol to me.

That was the plant that meant the most to me to be able to harvest. I didn't think we'd get to have those, as they didn't look ready to turn even a couple days ago... but just in time the plant dropped off four little husk-wrapped bundles today, one for each of us. Not bad!

Friday, August 24, 2012

six songs - part 2: the song that makes you dance

Q2: What song always gets you dancing?

This is a dreadful question for someone who does not dance. And I'm afraid I would not, could not, do not dance. Dance like a child, yes. Dance like an adult, no... not without plenty of time, space, and loads and loads of patience. And I won't enjoy it very much, even with all those accommodations.

And not only can't/don't/won't I dance, I think I must have had a lobotomy at birth in my dance appreciation center. I just don't get it.

Modern party-dance is simply writhing to suggestive music. It is ridiculous, silly to watch and excruciatingly embarrassing to perform. It is ridiculous, and yet absolutely everyone does it, so that it is the person who does not want to do the ridiculous thing who feels out of place and uncomfortable and self-conscious... in a word, ridiculous. Right out of Kafka: the person who does not want to do the ridiculous thing is the person who is ridiculous... Modern party-dance is an evil thing.

That's from good ol' DFW, in The Broom of the System. Which I have not read. I can't add much of value to that. Although it isn't just modern party-dance that appears so strange to me, it's most dancing, period. Ballet? The alleged beauty is almost entirely lost on me. It just looks like an unnecessarily complex, dull, and conspicuous kind of social signaling, and a little bit of a straight-up status/mating dance.

I'm not saying I'm special for disliking this particular game. It's a game I could never possibly win, so of course I don't prefer it. And we're all signaling. I'm signaling right now. Aren't I so cute and special-after-all and smart and different, for a woman? (AREN'T I?!?!? lol) Aren't I such a valuable, perceptive part of my group? Aren't I totally irreplaceable?

Wallace signaled and he hated himself for it sometimes. And he hated himself for it verbally, in public, which was also signaling, and which he knew was signaling even though he also knew it felt compelling and honest and good and necessary and attractive as fuck. Attractive as the air we breathe.*

And he said so. And he said all of it. Repeatedly. More signaling. You could make an infinite spiral of this heartbreaking game of catching yourself being human, if you were going to live forever. In fact, if you did, I'd find that very attractive. This is all so messed up. Kind of funny, too. But mostly messed up. Mostly I don't want this, i.e., the way things are.

So I know other people notice things about me and my passions and the words I choose to use that would make me very, very uncomfortable to think about all the time. Just like I might notice theirs. It's just that this one (dancing) is not my bag.

I made the mistake a couple times of dating people who were very good dancers. They didn't seem to mind that I didn't dance so well (which was nice of them). But almost everybody likes to be genuinely appreciated for what they do awesomely. I wanted to be nice, too, so I tried to be appreciative... but I couldn't dodge the fact that inside, on some level, I really felt more like Condescending Wonka.

Oh, so you like dancing. Isn't that precious?

Not the greatest foundation for everlasting mutual devotion.

I didn't want to feel that way. It's not that I look down on dancing from an intellectual standpoint; I recognize that humanity by and large loves dance, that I'm the odd one out, not them. But can you make yourself be moved when you're not?

Or, contrariwise, can you make yourself not feel moved when you are?

(Actually, I think the answer to that second question is, "Yes, with great difficulty." At least in my experience. But I still don't know the answer to the first.)

I thought about answering something by The Brian Setzer Orchestra. Like Cat on a Hot Tin Roof. I don't mind swing too much. But it doesn't really make me dance. It just makes dancing tolerable when something else is the real motivator.

Sooo...

Bananaphone by Raffi.

Ding-a-ling-ling-ling-ling-ling-ling-ling!

---

*Sometimes I think about how Elliott Smith stabbed himself in the heart, Gary Webb shot himself in the head (twice!), and Wallace hung. I will never do any of this, mind you, but I feel I am most like those who walk out in the forest and wait for the world to kill them through sheer exposure to it.

Tuesday, August 21, 2012

six songs - part 1: first album

Well, the real question is:

1) What's the first song you bought?

...but back in my day we bought albums, not songs. Songs we stole from the radio on cassettes. My first album was Seal's second eponymous album. I bought it because of Prayer for the Dying. The album was released in 1994 but I didn't buy it until a couple years later, when I was 14 or 15. I almost didn't buy it at all.

Why?


There's a naked man on the cover!

I know, it's very pretty and tasteful, isn't it? Not exactly porno here. Nothing to be ashamed of at all. But my friends didn't drive yet and so I only ever went to the record store with my parents and I was afraid they'd think I was, like, into naked guys or something. (Which maybe I was, maybe I wasn't, but back then that was one of the dark, terrible secrets of puberty.)

When I finally worked up the guts to buy it one day at the store with my allowance (this took YEARS, remember), I felt I had to couch it like a confession.

"MomI'mgonnabuythiscdbutit'stotallyforthemusicnotthenakedguyok?"

I was so nervous, I was definitely sweating. I don't blush, but if I did, it would have been fierce.

And my mom glanced at it and was like, "Whatever. He's cute." Then she went back to browsing Doobie Brothers compilation albums or something.

The second album I bought was Pigeonhed's Flash Bulb Emergency Overflow Cavalcade of Remixes. I bought it shortly afterward and under similar circumstances (as in, I was chock full of unnecessary angst and nervousness). Only this time, instead of being embarrassed over SEX, I was embarrassed because I knew this was an album for Bad Ass Mutha Fuckas. I wasn't sure yet what the hell I was, but I was pretty sure I didn't qualify as one of those.



This baby, I had to track down. It was so fly, you couldn't even find it at regular record stores. When I finally located a copy, it was in a store that to me appeared to be populated entirely with people far, far older and cooler than my stupid self. My mom point blank refused to go in with me, so I was on my own. I had no idea where to begin to look for what I wanted and I had to ask for help from a guy in leather, with a real mohawk and tons of piercings, the nature of which I could barely comprehend. (Had he really driven spikes of iron through his flesh?!)

He thinks I'm a nerd, definitely he thinks I'm a nerd or a prep, he thinks why the hell is a pansy ass little girl like this in my place of employment... my brain was a total bastard to me that day.

But Mohawk rung me up without betraying the slightest hint of a negative judgment (very unlike my asshole daymare premonitions of what would happen). As he handed me back the album he looked straight at my face and said, "You've got the best taste in music of any girl I know."

And that was the last time a boy ever said anything explicitly nice about my musical predilections.

THE END

Monday, August 13, 2012

six songs of me

Gonna veer over to the inane for a bit. Trifles.

See, there's a quiz going around. I'm a sucker for these things. Back in the heydays of Livejournal, I used to make fun of people who would post every silly little quiz that came along. Then I'd post a good portion of them, too.

I know. If I ever get a tattoo, it should probably be the word "hypocrite". In cyrillic script, because being vaguely cryptic is cooler than stating things outright. Not that I would ever do anything because it's cool. *cough*

(Speaking of LJ... remember when you needed an invite code to join the beta? I do. And I did. And, call me a crotchety half-luddite if you like, but things were better back then. You know--when the internet was still a haven for the disaffected soulful/intellectual types on the fringes of our culture and there weren't any image search services that can look you up by your FACE.)

ID THIS, BITCHES
Anyhow.

The quiz is about songs and pretty much goes like this:

1) What's the first song you bought?

2) What song gets you dancing?

3) What song takes you back to childhood?

4) What's the perfect love song?

5) What song do you want played at your funeral?

6) What song IS you?

What fun! I'm always making playlists like this in my head.

In fact, a big part of my "recovery" (bwahaha, riiight) from Unnamed Traumatic Event(s) involved making a sort of interior musical scrapbook. I used to work on this when I would go out running, especially. It was a bit like a memory palace. For each song I chose for this project, I'd pull out associated memories and images and mentally paste them on a page of the book. Sometimes I'd make a "video" to go with the song. These weren't necessarily negative images, just relevant ones, often symbolic interpretations and stories rather than literal memories.

When I was done with the book, I mentally put the entire thing in a fire. Now I don't have it anymore. I did not forget what occurred in real life that impacted me so gravely (nor would I want to), but I did succeed in making select maladaptive aspects of the aftermath into something apart from myself and therefore less poignant. I don't mean that I made myself unfeeling, in case that's not already starkly obvious from my ongoing bloggy tales of woe and uber-sensitivity. More like... on a scale of 0-100, with zero being a cold, affectless psychopath and 100 being the extreme level of emotional pain that results in attempts at self-termination, I rappelled carefully and slowly down from level 95 to, say, 71. Not from 100 straight to zero... which--aside from being undesirable--is probably in most cases impossible.

On a side note... oddly enough, I actually have forgotten virtually all of the images that I chose for the mental scrapbook, as if my record of it really were obliterated when I "burned" it. I find this a wee bit spooky, the degree to which we can hack ourselves when we really try (or when we luck out in the way we go about it, I suppose). But it's also very useful, so I'm not complaining.

I should note that I don't necessarily recommend this technique of mine. I made it up myself and have no idea if it would be harmful to someone else.

Whew. That was a darker turn. Let's get back to the quiz.

On second thought, I have so much to say about this, it's gonna be a 6-part series. Seven, counting this intro. Brace yourself.

Linkin Park - Burn It Down
(It's a pleasure. Not a guilty. =p)